True Left

I actually would have preferred Lufkin to have never got involved (though with Komuro being her boss she didn't really have a choice) with 1998 FIFA World Cup music:



which tried to be epic (in particular, to cater to Western audiences) and ended up being a pretentious embarassment, comparing especially unfavourably with:



which set out to make fun of the whole event (catering purely to local audiences) and ended up becoming a festive classic. This goes back to what I was saying about how catering to Western audiences never ends well (but laughing at them - note the MV's inclusion of deliberately excessive quantities of Western architecture, but shot in humour, to say nothing of opening the arrangement with the French national anthem - can work wonders!).